Luis ESNAOLA

Luis Esnaola made his debut with the Cincinnati Symphony Orchestra conducted by Jesús López-Cobos when he was only 10 years old. He has performed as a soloist with
the National Arts Centre Orchestra in Ottawa, conducted by Pinchas Zukerman, the Starling Chamber Orchestra, the Pablo de Sarasate Orchestra, the Grand Canary Philharmonic Orchestra, and the Spanish Radio Television Orchestra. He was the youngest winner in the history of the Pablo de Sarasate International Violin Competition and was awarded first prize at the German National Competition for Young Musicians. He was also a finalist of the New York Philharmonic Young Artists Competition and has received numerous scholarships. Luis Esnaola has studied mainly in Germany and in Madrid with Joaquin Torre, and is currently pursuing his training with Donald Weilerstein at the New England Conservatory.
 
Spain
Born May 16, 1985
SEMI-FINALS
JOHANN SEBASTIAN BACH Sonata No. 1 for solo violin, in G minor
BWV 1001
JOHANNES BRAHMS Sonata No. 3 in D minor, Op. 108
SCOTT GOOD And dreams rush forth to greet the distance
PABLO DE SARASATE Carmen Fantasy, Op. 25
NICCOLŇ PAGANINI Caprice Op. 1 No. 24 in A minor

FINALS
BÉLA BARTÓK Concerto No. 2 in B minor, Sz. 112

ADDITIONAL INFO

1- What do you like most about music? (Why did you decide to become a violinist?)
What I like the most about music is that its first purpose is to enjoy it and the fact that one can express through it a lot of feelings without saying a word.

2- Which composers or what works are you particularly drawn to? (What music would you bring with you to a desert island?)
Brahms, Beethoven and Bartók, to name a few.

3- Who are your favourite violinists (dead or alive) and why?
My all-time favourite violinist is David Oistrakh. The violinists of today that have inspired me the most have been Pinchas Zukerman and Itzahk Perlman.

4- Do you have any hobbies or is there anything else you would like to reveal about yourself?
I am a big soccer fan, and I really like traveling and watching movies.




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